I paint vaginas as a site of material and symbolic power. Through abstraction, I engage the feminine body not merely as form, but as a source of wisdom, embodied knowledge, and creative force. My large-scale canvases are visceral and alive—pulsing with raw honesty. They invite viewers into an intimate physical and emotional space, encouraging them to move beyond the word “vagina” and into an experience of presence, sensation, and deeper meaning.

The vaginal form, for me, transcends anatomy. It is a visionary, generative site—one that holds the stories of our lineage, the pulse of creation, and the energetic blueprint of life itself. I aim to reclaim and uplift the vagina and womb—not as taboo, shameful, or hidden, but as sacred origins. These are not “dirty” words; they are names of power. Without them, none of us would exist.

My practice is rooted in honoring the feminine, not just through representation, but through relationship. I paint yonic forms not as static images, but as portals—spaces to hold, witness, and celebrate women in their wholeness. I want my work to encourage women to come home to their bodies, to feel into their depth, and to meet themselves not just through intellect, but through sensation, intuition, and memory. It’s about listening inward, connecting with their yonis, and remembering who She really is.

Collaboration is central to my work. When I paint other women and their portraitures, I do so in reverence. The process is not extractive—it’s relational. We exchange stories, laughter, grief, and wisdom. Through this shared vulnerability, I seek to create art that honors their power, their truths, and their beauty. These sessions often feel like a hug in paint—acts of mutual recognition and reflection on what it means to be a female human, an artist, and a witness to one another’s becoming.

Ultimately, my work is about remembering. Remembering the sacredness of the body. Remembering the womb as a source of power. Remembering ourselves back to wholeness.